Tuesday, March 3, 2015
Jazz Event Report



Chinese New Year had passed, so had Valentine’s Day. it is already last week in February, get yourself ready to welcome the new month. Before that, close this lovely month with something special in accordance to the biggest jazz meeting in the world that’s amazingly made in Indonesia, the Java Jazz Festival. For jazz aficionados, the month of March must be the most exciting month of the year.

This year the Java Jazz Festival is going to celebrate its 11th aniversary, as usual with hundreds of shows and thousands of players.  Jazzuality in collaboration with Braga CityWalk, KPH Music, and Java Festival Production gave the best serving for you people who adore music, especially jazz. Bandung, a friendly city with its cool atmosphere, has not so many jazz events compare to Jakarta, but this year, Java Jazz has its eyes on Bandung, most especially at our own regular community event, the Braga Jazz Walk.  looking at the increasing rate of excitement Bandung people have for jazz gigs. Surely it is an honor Jazzuality and all the partners to be chosen as a partner in hosting the Java Jazz pre-event. Speaking for the venue, Braga, one of well-known areas in Bandung with its vintage yet sophisticated ambiance absolutely is an exact place to hold this event. Thankfully Braga City Walk and KPH Music continuously place themselves as our partners in crime serve the best for you who long to see jazz gigs in public places.

Pre Event Java Jazz Festival 2015 - Braga Jazz Walk Braga CityWalk- VAC ft Yeppy Romero Marcello Alulli (14)

At the very last Thursday on February 2015, Braga Jazz Walk had its special edition as one of Java Jazz pre-event. Not only you could feel Java Jazz vibes early, but also you had the chance to see some musicians who will participate at Java Jazz Festival 2015. It was also a good opportunity for the artists because they could warm themselves up before the main event next week. What a good luck for people in Bandung.

Pre Event Java Jazz Festival 2015 - Braga Jazz Walk Braga CityWalk- Drum Clinic (2)

It was 5 pm. not too many people yet, but it increased as the night came and this event was totally free charge, no wonder many people did not want to miss this opportunity. The show was started with a drum clinic with Israel Varela. If you haven’t heard his name just yet, you should now, since this man has a very unique way of drum playing, rich in variations and of course , dare to take any risks. Such quality brought this former student of Dave Weckl to play alongside big cats like Pat Metheny and Mike Stern.

For fifteen years he has played Flamenco Jazz as drummer and uncountable best players already he played with. It is not easy to start doing something new and so Flamenco Jazz did to him. The hard long journey started when he moved to Andalucia and stayed at some gypsy camp, a small remote area but it was similar to his hometown. Varela said the key to his success now is to respect the music and just start playing it. There is no shortcut in music and no one say it is easy, but you absolutely can nail it when you put full effort and pratice everyday. He already proved it, and it was the time for him sharing it to Indonesian audience at Braga.

Pre Event Java Jazz Festival 2015 - Braga Jazz Walk Braga CityWalk- Drum Clinic (5)

Speaking about Flamenco Jazz, Yeppy Romero and Israel Varela gave us some important pieces about it. Flamenco was originally formed in Andalucia, Spain and it is absolutely not Latin. Flamenco Jazz parts into two categories:  traditional and modern. The former is a little hard to understand, but we will see a lot of percussion and traditional dance if we refer it to Indonesian culture. The latter consists of guitar, dance, and song with upbeat style like Rhumba (dance). As Romero said, he cannot claim his group as the first Flamenco jazz, but they continually try to socialize it so more people know about this rare genre. Varela added that beat or rhythm is the most important part in Flamenco and second one is hand clap so it can harmoniously go along with the dance. Playing music like doing conversation is also important, Varela shared his experiences while working with some great musicians that your musical skill go after your listening comprehension because you have to be a good listener to produce some good musics.

Pre Event Java Jazz Festival 2015 - Braga Jazz Walk Braga CityWalk- Kafin (1)

No pause, the concert began. Kafin, young body with many wonderful gifts started sailing. He is only 10, he has long way to explore the other side of him; guess there are many hidden talents he hasn’t showed us. For tonight, this participant of Mickey Mouse Club Indonesia, Gita Gutawa/Erwin Gutawa’s  Above Average project and Laskar Pelangi team  showed us the beautiful voice and awesome piano playing through sets of difficult songs including “Lullaby of Birdland”, “Take the ‘A’ Train”, “Moody’s Mood For Love” and epically closed with Ismail Marzuki’s legendary song, “Layang-layang”.

Kafin, a living proof that age doesn’t matter, he is so young compare to another musicians, but you couldn’t take your eyes off ever since he was on stage. Right before he played, Kafin gave his thought about jazz. He got his heart on jazz because he loves how jazz gives so much freedom. He breaks the stereotype people think of jazz, for Kafin jazz is not hard, instead it is a playground where he can fully play the imagination and sharp the skill. Maybe you are wondering how difficult it is to play a piano and sing at once. For Kafin, it is not difficult, it is more a challenge and he takes it in fun way where he can challenge himself. A boy wonder he is.

Pre Event Java Jazz Festival 2015 - Braga Jazz Walk Braga CityWalk- Hariring (1)

Then the stage went warmer in different tone courtesy of  Hariring, Originally, this band consists of everal skilled craftmen show their talent with various genres of music and the blends between modern and Sundanese tunes completely chilax our senses. But since around half of them couldn’t make it, the number decreased to three, with Ringga Hardika (bass, angklung), Asep Everbeat (cajon, karinding) and a substantial help from Alfariz (guitar).

With Fariz, the rule of the game changed. If they usually served Sundanese ambient music, this time the course moved to sharp rock funk. But hey, as mentioned above, they used angklung and karinding too. The result is somewhat unique.  The aroma of Borneo traditional music was locked around their music, thanks to Fariz’s homeland. Experimental, jam mode with combination of instruments you probably never thought of. Well, the three pax Hariring is actually still groundbreaking. Not many people realize, but actually the work of Hariring is important for Indonesia, our music and our industry. We’re just happy to be connected with them.

Pre Event Java Jazz Festival 2015 - Braga Jazz Walk Braga CityWalk- Batavicada ft Yeppy Romero and Marcello Allulli (3)

Then, we got Java Jazz gets “Exploring Indonesia” as its theme for 2015, and as expected, both international and national musicians have all their supports to expand Indonesian culture through music then make it known worldwide.  Interesting experience it was, where we can see the blending between Indonesian culture and other countries in tunes. These two bands are multi-national but showcased the magic when East and West (and Middle East) collide.

First, the completely different genre, Batavicada, an acoustic band who cleverly mixed jazz with several traditional instruments like Marawis/Kepak from Batavia (Betawi) and Darbuka from the Middle East/Turkey. According to Nita Aartsen, Batavicada originally has guitar player, but this time Nita took charge in producing the melody. With Wisnu (acoustic bass) plus Erick, Roby, Graha (marawis and darbuka) , Batavicada proved that music including or especially beat is borderless but somehow connected from one side to another parts of the world.

Pre Event Java Jazz Festival 2015 - Braga Jazz Walk Braga CityWalk- Batavicada ft Yeppy Romero and Marcello Allulli (1)

The Middle-Eastern beat from Graha, Robby, and Eric made the crowd cheered enthusiastically. The crowds popped several times, and the number of audience suddenly jumped high. They popped several times, some were caught dancing and tapping according to the beat. It was when the ethnic tunes met jazz. The first time ever they tried to collaborate and the result was amazing. The blending between street music and jazz was naturally delivered to our ears and broke the image of exclusive and segmented jazz music. Soon after Yeppy Romero joined the others at front and spoiled us with his guitar play.

Pre Event Java Jazz Festival 2015 - Braga Jazz Walk Braga CityWalk- Batavicada ft Yeppy Romero and Marcello Allulli (17)

Continued with Marcello Allulli and his saxophone and smoothly went into the melody along with piano and marawis. Though it was rarely played together but the harmony was surely there, you could feel it and it was so much exciting. They played “Caravan” and the mixture between flamenco, jazz, and gypsy music were clearly heard.

A blazing showcase that flew miles higher than the ordinary, a breakthrough and magical beat and rhythm showdown. Batavicada opens up a new dimension that shows the unlimited possibilities as well as the unity between rhythm and music from different corners of the world. Very rich and solid. Magnifico!

Pre Event Java Jazz Festival 2015 - Braga Jazz Walk Braga CityWalk- VAC ft Yeppy Romero Marcello Alulli (8)

The number of (loud and vibrant) audience jumped over the roof – as  the main eventer  VAC grouped on stage. This band consists of trio Israel  Varela as drummer (Mexico), Nita Aartsen as pianist (Indonesia) and Daniele Cappucci as bassist (Italy). Three countries in one stage, you can see the riches through their unique Flamenco Jazz music.  Nita served as the state pianist for 15 years and known as a pianist who bridge classical, jazz and Latin. While Daniele Cappucci is a wide explorer, reaching from classical to jazz and beyond.

Pre Event Java Jazz Festival 2015 - Braga Jazz Walk Braga CityWalk- Batavicada ft Yeppy Romero and Marcello Allulli (8)

In order to add more colors to their performance, Yeppy Romero, a guitarist, showed up on stage. This MURI record holder (for playing guitar 10 hours straight, featuring 150 songs in 4 languages and 10 music genres, also collaborating with 100 top class musicians aside of his monumental Batakustik)  is in fact the frontliner in Indonesia when it’s about Flamenco Jazz. He’s been socializing this for some years, and now we finally got his performance in Bandung.

Pre Event Java Jazz Festival 2015 - Braga Jazz Walk Braga CityWalk- VAC ft Yeppy Romero Marcello Alulli (23)

As Nita Aartsen said in beginning, they will play together with Marcello Allulli and Yeppy Romero at March 7th, 2015. Luckily, here people in Bandung, had the opportunity to taste their performance live on stage and got a little preview about how they will perform later at Java Jazz Festival. For free. Totally a dream come true isn’t it?


Pre Event Java Jazz Festival 2015 - Braga Jazz Walk Braga CityWalk- VAC ft Yeppy Romero Marcello Alulli (11)

“Madrid”,  a song from Marcello’s first album became the opening and immediately jumped to second song from Nita Aartsen’s first album, “Blue Rondo” . Next song was the well-known hits by Beethoven “Fur Elise” played in interesting arrangement but still the classical touch was there. Then, Yeppy Romero and Marcello Allulli once again joined on stage and entertained the increasing crowd with exotic romance in “La Fiesta” and Mozart’s “Symphony 40″. Nita’s charm which lies in between classical, jazz, Latins and Flamenco naturally flew throughout their repertoires. The colorful Flamenco beat, the jazz-classical-Flamenco piano playing, and of course, the wild, wild fired up contrabass runs were hand in hand in creating a new musical dimension. Plus, Yeppy and Marecello’s fine works made everything even merrier. It was tight and delicious. Sharp like a dagger but also enchantingly exotic. Surely, the jazz fans who came to see them last night would already have something to remember for a long, long time.

Pre Event Java Jazz Festival 2015 - Braga Jazz Walk Braga CityWalk- Jam Session (1)

The musicians must have been tired already, but they still happily agreed to have some of the audience to jam with them. Marcello, Daniele, Nita Aartsen stayed on stage, the Batavicada percussion trio came back to the stage, and from the audience: Widiyanto Sutanto, Alman Naufal and Frank Navayo joined the party. Nita distributed the chance for each player to get their shot while making sure that the jam session worked as how it should be.

Pre Event Java Jazz Festival 2015 - Braga Jazz Walk Braga CityWalk- VAC ft Yeppy Romero Marcello Alulli (12)

The scene happened on this special edition of Braga CityWalk was simply unbelievable with that size of crowds. They were enthusiastic, responsive and lively. What a joy for us to see it. Thank you very much to you who came. And for the musicians, we send you huge respect. Many, many thanks for supporting a small community in Bandung like this. We feel honored and proud, we’re sure this brings wonderful benefits to jazz development in Bandung.

Pre Event Java Jazz Festival 2015 - Braga Jazz Walk Braga CityWalk- Photo Session

Finally, a serious reminder.  The day comes nearer; have you already bought your tickets for Java Jazz Festival 20155, fellas? As you can see from this event’s report, Java Jazz surely has many more things in order to satisfy your musical needs. Braga Jazz Walk had already tasted it, and once in a lifetime, you should feel the ambience of the biggest annually jazz event in Indonesia. So, mark your dates! It is on March 6th until 8th, 2015. See you there jazz lovers!

Watch the highlight of Pre Event Java Jazz Festival at Braga CityWalk on our Youtube channel:

See more pictures:

Reporter: Mellysa Anastasya, Riandy Kurniawan
Photographer: Titus Firmanto
Video Editor: Vierna Mariska Kurniawan
Special thanks to Nita Aartsen and Yeppy Romero



It feels like yesterday when we moved to a new venue after the old one didn’t wish to support our jazz community event any longer. It was the last week of September when, finally we rebooted the event in Braga CityWalk and changed the name to Braga Jazz Walk. We reset the count back to one but kept the rule of the game. Three showcases and one open jam session up to the end, until the mall ends its service. From one edition to another, all of a sudden we have come to the 10th edition. As usual, together with our partner in crime, the Braga CityWalk and KPH Music, the Braga Jazz Walk #10 showcased assorted flavors of jazz, played by mostly young talents. What’s unique is that in this edition one could find the connection and harmony between artists who grow in the communities: those who have taken the road earlier and the younger ones. These more ‘senior’ musicians began their musical path from jazz communities but look at where they stand now. The young ones can learn from them, how and what did they do to achieve success by having communities as the start point.

We once promised to bring special tribute once in a while. We began with a tribute to Joe Sample and the (Jazz) Crusaders a couple of months ago, courtesy of Chakraborty (read the report here). In this edition we highlighted a living legend, so unique in style as his music covers wide area from glam rock to pop to RnB. Plenty of his songs are evergreens (he has placed more than 50 top 40 hits), he has sold no less than 300 million albums, he won Grammy many times since 1972, one Academy Awards (Oscar) and 4 Tony Awards. He’s been in the industry for over 50 years without ever losing passion even a bit. His long time fans would remember him for his eccentric/wild stage costumes, but for us, it’s his signature baritone voice and ability to make beautiful melodious songs are the things that make him immortal. He is Elton John.

Braga Jazz Walk 10 - Christ Stanley (3)

But before the tribute appeared, a young but highly skillful and fully experienced pianist Christ Stanley gave his solo jazz piano recital. He was supposed to appear in a trio formation with Okki Jatikesuma and Puspallia Panggabean, but alas, they couldn’t make it. Showing a good professional musicianship and commitment, Stanley decided to keep going even alone, and it turned out to be a blessing in disguise.

Miles Davis’ “All Blues” launched first and directly showed his mastery specifically on jazz piano. Stanley began to embrace jazz piano since 20 years old. Interestingly, he began from a jazz community in Bandung, Klab Jazz. He grew there, gaining more and more experience while digging knowledge from mentors like Mochamad Yahya Salam, Henry Virgan, Nial Djuliarso and plenty of workshops. He’s been busy with many groups including the sensational Halfwhole Project, his trio, quartet, quintet and so on. He is the pianist for Danilla.

The Beatles’ classic “Blackbird” appeared nicely in complex composition yet natural with jazz and blues inside. “Gonna Be Alright” continued the high level structures and then he reached the end with Thelonious Monk’s masterpiece, “Straight No Chaser.” All the songs he played were standards, you thought you knew the songs, yet he could make it as if those were his own. Flowing naturaly, complex in high difficulty yet felt simple and easy to enjoy. What a nice first round.

Braga Jazz Walk 10 - Christ Stanley (6)

No one denies his awesomeness playing in any formation, but it’s rare for us to see him doing solo jazz piano recital. Performing alone often needs more than just skill. The player has to be able to carry the role, own the stage and bring everything full in order to meet the audience satisfaction. Does Stanley have it? Yes. We have seen him developing throughout the years, either at the community he grows, Klab Jazz and other events from small to big, prestigious ones. He has transformed to be a reliable jazz entertainer including a trustable one man show. He has the skill, he possesses good vibe, even his ability to sing could definitely steal your heart. As we don’t find pure jazz solo piano recital that often anymore especially in Indonesia, Stanley is the one to look for. Smooth and sweet swingin’ performance that worked perfectly for Valentine’s Day.

Braga Jazz Walk 10 - Andre Arizky (2)

Move on to the second act, the tribute. It’s not easy to find someone who could bring the cool impression of Elton John, since the person has to be able to play piano and sing at the same time, has to have the charisma and of course, the baritone voice. That’s why we were happy when we met Andre Arizky, who actually admitted to be highly inspired by Elton John. When we invited him to perform at Braga Jazz Walk #06, he delivered a couple of Elton John’s classic really well. So we thought, we don’t he just make a tribute to Elton instead? Andre agreed and happily took it.

The Academy Award winning song for Elton John fom Lion King “Circle of Life” opened up his session that directly showed how good he covered Elton John both in piano playing and the Barritone voice. Elton John’s gem from seventies “Sorry Seems to Be the Hardest Word” sounded really nice from him as well. Then he went back o the Lion King soundtrack “Can You Feel the Love Tonight” before picking another evergreen, “Don’t Let the Sun Go Down on Me”. A song that we always dearly love, “Rocket Man” was perfect from him. As much as we enjoyed his performance, this lovely song was the final from him.

Braga Jazz Walk 10 - Andre Arizky (1)

Rizky was in Rising Star Indonesia 2014 and made it to Top 36 Wall Riser. He also competed in StarVoices season 3, and currently tries his luck in X Factor Indonesia 2015. As for Elton John, a legend like him should be placed above genres, especially since his songs are sung in countless of styles by artists/people all over the world over the years. We are happy to have a tribute to Elton John at Braga Jazz Walk and certainly proud to have such talent like Andre. Let’s wish him all the best for competing in X Factor. Based on his talent, passion, ability and effort, this man should be one of the serious contender.




Another edition, another batch, another story, another result. The Braga Jazz Walk has reached its 9th edition which was served in wide variety. Three featured bands/artists had totally different style, different formation, different approach, different way of playing, but all of them were really entertaining and wonderful to watch. They gave a cool miniature of jazz and its richness. That goes for age too. A boy below teen-age to adult, all celebrated jazz with their own way. From the traditional, modern jazz to the marriage between jazz and traditional Sundanese music, together they created a small but rich package of a show.

Some jazz/music VIPs were found among the audience. The 2013 AMI Award winner for the Best Female Jazz Artist who once worked as the state pianist, composer/pianist/vocalist Nita Aartsen, also a piano teacher who has made many successful jazz pianists, Mochamad Yahya Salam. The senior guitarist Venche Manuhutu came too. The first performer, 10 year old Kafin Sulthan Reviera is Yahya’s student who takes lesson at Venche Music School (VMS).

Braga Jazz Walk 9 - Kafin (5)

We prepared something really special right from the start by presenting the kid prodigy, Kafin. He’s now a part of Mickey Mouse Club Indonesia, currently rehearsing and preparing for soon to be aired on Disney Channel. He is one of Erwin Gutawa’s ‘Above Average’ kids project which is also in the middle of recordings and concert, and he was also joined the gang of Mira Lesmana and Riri Riza’s Laskar Pelangi Musical Theatre a few years back. Amazingly, we are talking about a 10 year-old boy blessed with so many gifts. We met him last year when he was taking lesson at Venche Music School, we invited him to our event, he peformed with his teacher Mochamad Yahya Salam and he totally blew everyone away. From that moment on, this boy has grown fast. So it’s about time to have him back again.

If a year ago he still needed his teacher to be with him on stage, this time Kafin did it all by himself. Kafin egan swinging with a famous song “Lullaby of Birdland”. He kept the pace with with “Take the A Train”. “Moody’s Mood For Love” became a chance for him to demonstrate his ability.  Not an easy song to sing, not an easy song to play. But he did it all alone, along with connected improvisations which was spectacular. For the last song, he did a very, very lovely swingy Ismail Marzuki’s song, “Layang-Layang”.  When he’s done, our MC Erick Gabe teased him to give one more. With Erick’s mouth contrabass, he sang “Route 66″ and bagged loud applauses from the audience.

Braga Jazz Walk 9 - Kafin (1)

It’s a wonder how a boy his age could do it, but as we said, he’s indeed a kid prodigy, meaning a kid with extremely early on age displays excellent capacity and expertise in one particular industry/field which is over their particular amount of readiness. We saw how fast he has progressing, how great he is now but at the same time still reflects the adorable look according to his age. Cute but unbelievably gifted, skillful performance. We’re just glad to know this amazing boy.



Braga Jazz Walk opened up its second year of service with interesting theme. This first one in 2015 a.k.a 8th edition featured notable musicians/singers from groups which have participated in our events earlier who are currently trying to establish their solo career. As we are committed to the regeneration process of jazz (related) musicians in Bandung, channeling the potential talents becomes crucial. So we are happy that the first Braga Jazz Walk in 2015 actually highlighted this matter.  We are also proud to have Braga City Walk and KPH Music still fully supporting this regular program.

Three names, more than three players and many jamming participants were in. Each slot has its own persona where different styles successfully caught the attention of people spotted in the venue. Some came to watch, the others were mall-goers who were there during the event, they got sucked in to see the musical concept these gifted young artists wished to offer. There were blues, folk and rock/heavy metal found in this edition along with assorted jazz as the main dish. Some were joyful, sweet and cool, but some were sharp and rebellious, like a strike of slashing blade. The audience loved it, so did we.


Braga Jazz Walk 08 - Guntur Satria (2)

This 8th edition kicked off with a one man band, Guntur Satria. We knew him from his catchy naughty blues trio called the GFRtrio. With GFRtrio he appears as a wild, expressive (and explosive) bluesman who knows how to burn the stage with so many unpredictable moves. He’s much calmer when he’s all alone, yet his charisma still allowed him to shine.

Sam Smith’s “I’m Not the Only One” was first, followed by a gem from 1969,  “Across the Universe” originally recorded by The Beatles. The Beatles  presented it in psychedelic folk  with rich musical structure, Guntur respected it yet he infused his own soul into the song. Then he played his original song “Kala Rindu” which will be available when his EP’s finished. This song has the tasty indie content that’s loved by majority of young music listeners today in Indonesia, we believe this song has enough power to achieve success once it enters the market. Another The Beatles’ classic was perfectly covered by him, it’s called “Blackbird”. The freshness of country side was all over this one.  He then chose to seal his performance with a song that’s meaningful for him, “Englishman in New York.” The audience sang the reffrain several times together with him.

Braga Jazz Walk 08 - Guntur Satria (5)

You can visit his Soundcloud https://soundcloud.com/gunturblues to listen to some of his tracks. Currently he’s working on his EP titled “Pergi Keluar” which consists of 5 tracks. Billy Ramdhani is featured in the album, and Sarasvati’s said to be on one track too. We are happy to steal him again from his studio activities and get the update. All looks good. The way he let himself connected with the audience, the songs which speak about his real life story, the ability to write and compose, he has it all. Not many young lad could take the one man band road and have success, but Guntur surely can. No doubt about that.

Braga Jazz Walk 08 - Fearman (7)

The second session was taken by Fearman. This man is not an ordinary singer since he can sing all kind of styles as he wishes. He can go sweet and simple, he can give flawless manouvers in perfect pitch. He can climb the highest octave easily, he can reach the low keys without problem. He can climb the highest note like a rock star but he can also croon the way Michael Buble does. We have enjoyed his performance with his band Poinkustik a few months ago, but now he’s thinking of building his solo career as well, and we’re more than happy to provide him the ground.

Like we told you in the info article, he performed with a rock guitarist named TNT (Tinto Arief Anugrah). He was supposed to have a full band backing him, but since he didn’t get the available musicians, he decided to march on only with TNT. For us it was a blessing in disguise, since with minimalist concept we can enjoy his talent much clearer. Especially since both of them have bagged many achievements during their career and the good chemistry between them, their session was really enjoyable.

Braga Jazz Walk 08 - Fearman (5)

Andre Hehanussa’s “Bidadari” was the first song in medley with Koes Plus’ “Jemu”. TNT was done tremendous work on guitar by flying wild from country to blues. Next was “Esok Kan Masih Ada”, one of the signature songs of Utha Likumahuwa delivered in sweet, romantic mood.  Then they took surprising choice, “Kantoi”.  This funny song of Zee Avi with brilliant lyrics that’s written in Manglish (a cross between Malay and English) sounded cool from Fearman, TNT was kept busy with his country guitar playing. His original song “Demi Kamu” delivered sweet and romantic. For the last song he gave Michael Buble’s medley including “Home”, “Feeling Good”, “I Just Haven’t Met You Yet” and “Save the Last Dance For Me”.

As we said, this man can sing just about anything. But we are happy that he took the jazz lane for his solo debut. A voice like him would be great to sing with big band, but perfect too with minimalist concept like this one. He’s still at the good age, he’s like prince charming on stage with all the good vibes surrounding him. There are many guys can sing, but not so many have the singing skills like him. It was a nice collaboration with TNT, simple yet rich.

Braga Jazz Walk 08 - Amo (6)

The last session was filled with madness. This lad has never failed to surprise us everytime he appeared on our stage. He was called Conka by his friends before, but now he’s settled with Amo. His rocking spirit has been built since early age and grew up with such bands like Megadeth, Anthrax and Slayer. He likes to keep all the distortion and slashes his guitar like a metal pro yet jazz can be clearly captured during his play. Vicious heavy metal riffs complete with rebelious distortion now blended with jazz, the genre that he’s started digging not too long ago, about a year and a half. Can jazz go with rock distortion? Amo said why not. Tonight he gave a solid proof that it indeed works. Jazz with rock and distortion, we called it ‘Jazztortion’.

Together with his friends including Andi Pramudito (drums), Robert Daniel (bass) and Hadi (rhythm guitar), Amo roared right from the start with three songs:  Andy Timmons’ “Groove or Die”, Lee Ritenour’s “Rio Funk” and Eric Johnson’s “Zap”.  Amo still kept the heavy metal sound roared wild on stage but he clearly brought in some cool groove and good doses of jazz. His team mates Andi, Robert and Hadi gave such substantial work in supporting Amo’s attacks.

Braga Jazz Walk 08 - Amo (1)

Jazz and rock have been on of the most exciting adventurous style that we have had in last century and combined/fused until they created some hybrids. We have enjoyed it for many decades, but apparently there are still areas left to explore. What Amo does is simple. He tries to enter the ‘new’ territory while still keeping everything real, holding in his pure rock spirit. The result is somewhat interesting. Yes, playing jazz with electric guitar along with distortion have been done by some artists, but Amo still offers something fresh and different by pushing the jazz-rock holy matremony into the far edge. So edgy until you forget to breath. Amo is dangerous when he’s running loose. If he keeps doing this path, he may even create a new hybrid. Absolutely sensational and distinctively unique.

Braga Jazz Walk 08 - Jam Session (4)


Jam Session was open, but first it was taken by a young talented man who visited us for the first time. His real name is Rizky Ahmad Mudzakkir, but he likes to be known as Izky Mudza. This man is talented in singing and playing guitar, plus he can write songs. What’s also cool from him is the way he control his performance. He enjoyed every second of his moment and shared it to the audience. Oh yeah, he’s also cool when he put his voice into falsetto.  Just two songs but memorable, how happy it is to spot great new talent.

Then three players of Find Taste took position on piano, guitar and mike. Erick, Puspallia Panggabean and Andhika Caesar of Imagodeo did scat party and some mouth trumpet/trombone.  The photo session took place during this act, and that’s the end of the show.

Braga Jazz Walk 08 - Photo Session


Cool stuff was found right from the first minute. All headlines for this 8th edition has something in common: are the key player in their group, but now they take another further step to establish their solo career. They have skills, highly talented and full of charisma, the thing that’s urgently needed if one wishes to pursue a solo career. They can turn the game differently, they are passionate and have something different to offer. We are happy to be able to provide the reliable ground for them. For all the musicians who showed up, we really appreciate your coming, hope you will make this community event become your own home. And to the happening crowds, thank you so much and look forward to have your support furthermore.

Watch the highlight on our Youtube channel:

In two weeks from now we will feature more bands, including a very mind-bending project where you can find progressive jazz and mystical ethnics pulsing strong in every note. Until then, take care and keep jazzin’.

See more pictures:

Reporter: Riandy Kurniawan
Photographer: Titus Firmanto
Video Editor: Vierna Mariska Kurniawan




“Speaking of jazz, of all season, I think Christmas is the best season for it.” That’s what a musician told us a while ago, expressing how happy he feels during Christmas season. Well, Christmas and Jazz have been buddies for many decades, probably right after the birth of jazz. Many people enjoyed it throughout the years, today we still enjoy it. Think of how many pop artists go swingy when they sing Christmas carols. Christmas and jazz, they are hardly separable.

Braga Jazz Walk has reached the 7th edition. What a pleasant coincidence that this year’s Christmas actually fell on the fourth Thursday of December, exactly on our regular shedule. That made us able to bring our Christmas Edition right on the special day. For this special edition, we set our mind towards the variety of jazz that would make the best of Christmas celebration. Smooth jazz, swing, fusion, bebop? Checked. Traditional, modern, soulful? Checked. Full band, instrumental, with vocals and just vocals in harmony alias acapella? Checked too. From adult to children? Yes, that too. Together with our partners in crime, the venue Braga City Walk and KPH Music, we, Jazzuality.com proudly presented this edition that suit the theme of the mall: The Oldtown Christmas. What made us even more proud is that we got to celebrate it with many audience. Some came to watch it, some were the mall-goers. Together they created a joyous atmosphere inside the big hall.

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The band consists of children age ranging from 12-16 called MY Kids were first. MY stands for Maulana Yusuf, the name of the street where their church stands. Billy (drum), Panji (bass), Adam (electric guitar), Korin and Miguel (acoustic guitar), Yugo (conga), Ferdi (keyboard), Louis Arnita and Syela (vocals) were found inside this team. MY Kids was formed from the GKI’s Sunday School who apparently have talents in music. They started only with acoustic guitar but then grew with more kids coming in. They have began their service since April 2011 and has been serving twice a month ever since.

Dream of cheerful Christmas celebration? The kids wanted to bring exactly that. “Allah Sumber Kuatku” was the first choice. This happy opening soon followed by “Sebab Tuhan Baik” and GMB’s “Tiba Saatnya ” which nicely included Sundanese music and singing style.  “Hark the Herald Angel Sing” was delivered in quite difficult rendition but executed perfectly by these kids.

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It’s always fascinating to see the kids play music. They are cute, but the way the perform, which usually are all out with ‘nothing to loose’ spirit can create surprises. The same with these kids. They are still at their teens, but they can entertain people already, as well as share the blessings. This is why we exist. The reason why we make Braga Jazz Walk in first place: to push the regeneration process forward, providing playground for the young ones to practice everything they learnt in front of real audience. We send love to MY Kids. Keep up the good work, kids! Don’t stop using your gifts to bless others.

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The second session was filled by one of the prestigious Jazz Goes to Campus 2014 consolation prize holder, 5th Avenue. This band consists of  a couple Chris Alfeus (guitar) and Stella Inke (piano), plus two more compatriotes AlbenOctorys (drums) and William Anthony (bass). Their playground is somewhere around jazz fusion and smooth jazz. Some of their specialties including brilliant arrangement and the scat singing along with guitar playing on the same note (or at the interval of an octave) by Chris. It brought Chris to win the Best Guitarist for Jazz Goes to Campus 2014 less than a month ago. They have some great original compositions, they do interesting covers of some famous jazz repertoires/songs. But here we got the chance to taste their Christmas menus. and man, it was delicious.

“Winter Wonderland” was served in GRP’s Smooth Jazz style. “Joy to The World” was served in more rockin’ style, Still keeping the groove but in slower rhythm, the band delivered “White Christmas” in medley with “Let It Snow”.  Chris demonstrated his scat-singing style while playing guitar in perfect pitch.  A lovely original song titled “Abba” was played sweetly before they ended up rockin’ on “Joyful Joyful”.

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A fusion style of Christmas was served classy by 5th Avenue. We have tasted their unpredictably complex arrangement over well known songs, we enjoyed it too when they take the simplicity road. They are not agressive on stage, but they know how to grab people’s attention and make them stay until it’s done. Speaking of Christmas, they took some of the most famous songs and put up fresh colorful outfit on it. Once again a solid package from them, being given just like a beautifully wrapped Christmas gift.

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For the final act, we invited a band that delivers jazz with action, the Out of 7. The band places their feet in between secular and gospel. The personnels are active praise and worship musicians beside their daily works. We used to call them acrobatic band due to their ‘stunt’ attempt in exploring wide array of genres. The keyboarist Widiyanto Sutanto is the leader who is also in charge of composing the materials. Then, the young but hyperactive lady drummer Marissa Wiguna who has catchy appearance and rich punching variety, guitarist Herman Yulianto and Daniel Christy with their rock-blues colors over jazz and funky bassist Abet Darmaji. Last but not least, the man you’ve seen in every Braga Jazz Walk edition as the MC, Erick Gabe is the vocalist. This man has a magical vocal ability. Wide range, perfect pitch, extreme manouvers, scat-singing, mouth-trumpet,trombone, beatbox and so on, you name it, he does it. Today the band has original songs (including several contemporary gospel songs). They have won the Espose 2013 band competition and landed on JakJazz 2013.


Before the band appeared in complete team, first a trio called Harmony consists of  Norama Herty Yunieke, Mutiyani Repie and Lela Yuliantika Kawareh gave an acapella presentation titled “The Lord’s Prayer”.  A vocal harmony group is an important subject in making up Christmas Edition,  so we’re happy to have these three ladies taking on this part. After that, a duet between Lela Yuliantika Kawareh and Fredi Hendarman sang “What a Wonderful World” accompanied by Widiyanto Sutanto.

Then Out of 7 got their round. The band kicked off with “Gloria (in Exelcis Deo)”. Blues shone with “Amazing Grace” and then the swingy “Winter Winterland” with a little piece of Bobby McFerrin’s “Don’t Worry Be Happy” in the middle. Their original song “Sang Penerus Dunia” with a sharp rockin’ style and then sealed it up with “Spain” . This last song was served in jamming mood with enough solo run from each of the players.

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We haven’t seen them for a while, but they are still carrying the same spirit in even more enhanced skills. Composition is still their forte while the manouvers created such attraction that’s fun and entertaining. Since they are building their career in both secular and gospel, let’s wish them the best. One thing for sure, with the way they play, surely they can really spice up both world.


The jam session was opened shortly after and quickly taken by some of the attending musicians. Chris Alfeus and William Anthony of 5th Avenue was back  again, also Widiyanto Sutanto and Marissa Wiguna of Out of 7. Then three members of Talking Jazz: Steven (piano), Billy (saxophone) and Jabez (guitar) also took part. On vocals were three men from the audience: Mr Simon singing “White Christmas”, Alex from Timor Leste took on “Karena Cinta” and Prof. Dr. Amri Amir, SpF, SH from Medan sang The Beatles’ “Yesterday”.  One singer from MyKids Louis was back too with “The Christmas Song”.  It was already 10:30 pm, still we got one more batch singing Michael Buble’s “Home”. Rizky Jonathan (vocal), Andre Fernando (guitar) and Yosua Setiawan (bass) were the last participants.



We started the jazz community event in the first month of 2014, now we have reached the last presentation for this year in Braga City Walk. We have run more than 20 editions and so far presented musicians from Bandung, Jakarta, Sukabumi, Bali and also from Malaysia, France, USA and Australia, plus the more recent, Timor Leste. There are many things we still have to work on, but so far we are happy and satisfied with the way things are. The regeneration process is on going. We have met and provided familiar playground to so many newcomers ranging from solo to full bands, welcoming the well established and experienced musicians/bands that wished to support the new players and presenting unique formation/combination that are rarely found in today’s stages.

It feels good to end our 2014 series with a joyful Christmas Edition. Such happening crowds, such joyful performers. The variation was on top since this edition contained many styles from swing, bebop, fusion, soulful to even rock, presented instrumentally, with vocals and acapella by adults and early teenagers. As for the age, this edition stood above all because the range was unbelievably wide, from 12 to 73 year-old.

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As the disintegration is taking place here and there by some people, we do hope jazz can stand as a great tool to promote peace and unity among people and nations, making it appears as an example of peaceful, full-loving and tolerance world. On behalf of everyone in Jazzuality.com and Braga Jazz Walk, let us wish you Merry Christmas, Happy New Year and Happy Holiday to you all. Let there be peace on earth and joy to the world.

Watch the highlight:

See more pictures:

Reporter: Riandy Kurniawan
Photographer: Titus Firmanto
Video Editor: Vierna Mariska Kurniawan



As 2014 comes to a close, the jazz calendar in Bangalore comes to a climax with a range of outstanding acts at venues such as The B-Flat Bar! The featured bands include a number of local and international artistes, covering a range of styles: straight-ahead jazz, fusion, Indo-jazz, blues-rock and electro-jazz.

Here are some of the groups who delighted jazz fans this year at B-Flat, and I had the good fortune to check out many of them performing live! See also my earlier article, Big Bang Blues, 4th Element, Sean Rolden: A New Generation of Blues and Jazz in India.

Jovol ‘Bam Bam’ Bell

Phenomenally-talented drummer Jovol Bell has played with Stanley Clarke, Herbie Hancock, John McLaughlin, Jack Dejohnette, Miles Davis, Joe Sample, and many other jazz greats. The Texan drummer, a Berklee College graduate, was joined by Parker McAllister (bass), Kavyesh Kaviraj (keys), Mark Aranha (guitar) and Vasundhara Vee (vocals). Bell describes his music as ‘New Era,’ which with elements of jazz, gospel, salsa and even hip-hop. The set in Bangalore was an outstanding collaboration, with soaring vocals and scatting by Vasundhara and tight coordination between Jovol and Parker. Vasundhara Vidalur and Adil Manuel are the frontliners of the Indian blues band Adil&Vasundhara, and have released the album Ampersand.



Jyotsna Srikanth http://www.indianviolin.eu/

Indian violinist Dr. Jyotsna Srikanth, now based in London, performed a fusion set of carnatic violin blended with Western folk and classical. She was joined by Shadrach Solomon on keyboards and Manjunath N.S. on drums; the trio covered a wide range of musical territory and drew loud applause for their cross-cultural creativity. Jyotsna has also collaborated with the French Jazz Quartet, flamenco guitarist Eduardo Niebla, Portuguese singer Vitorino and Brazilian bassist Mario Caribe. She has collaborated on movie soundtracks with musical directors from South India such as Hamsalekha and Ilayaraja. Her albums include Call of Bangalore and Life.

Malcolm Braff www.malcolmbraff.net

Swiss pianist Malcolm Braff has a wide range of musical influences from Brazil, Cape Verde, Senegal and India. He has collaborated with djembe player Yaya Ouattara and French jazz trumpeter Erik Truffaz. Braff’s albums include Voltage, Benares, Yay, Methane, Walkabout, Maximal Music, Yele and Live in Lausanne. On his India tour of spiritually-inspired soul-jazz, he was joined by Reggie Washington (bass) and Stéphane Galland (drums).

Divine Raaga http://www.divineraaga.com


Divine Raaga is a Hindi folk-fusion band based out of Bangalore. Their debut album is titled I’m Divine Raaga. Most of the tracks are based on Hindustani ragas. The current lineup includes Buddhabrata Chakravorty (or Buddha, on vocals), Rahul (guitars), Mrinal (drums), Ashish (bass), Prithwin (flute), Ashraf (guitars) and Kishore (keyboards). Formed in 2009, the group’s songs are also about causes, such as cross-border brotherhood, inter-faith unity, and the importance of hope and nature.

Paban Das Baul

Paban Das Baul is a leading proponent of Baul folk music of West Bengal, and has evolved a unique genre of folk-fusion music. The vocalist also plays local percussion and string instruments such as ektara, dubki, dotara and khamak. He was joined by his wife Mimlu Sen (bells, cymbals), Lew Hilt (bass), Satish Sharma (acoustic guitar) and Tanmoy Pan (cajon). Based in France, Paban Das Baul has played across Europe and Asia, and released the albums Real Sugar, Inner Knowledge and State of Bengal. Baul music praises the divine love, and draws from a range of traditions including Tantrism and Sufism. Two musicians from the fusion band Aghor opened the evening’s performance: Jataveda Banerjee (singer-songwriter) and Nikhmal Gartuala (guitarist-composer from Kathmandu).

Chandbibi and the Waste Candidates

Bangalore-based band Chandbibi and the Waste Candidates released their debut album Tidy Funk at B-Flat in October. They blend jazz, electronica, progressive rock, Latin and Carnatic music. The lineup consists of Mana Dhanraj (vocals), Sidhant Jain (guitar), Kavita Sarna (bass) and Navneet Rao (drums). The musicians met at the Swarnabhoomi Academy of Music. The tracks What Have We Become? and Moonlight drew loud applause at their B-Flat performance, and the band also played at The Humming Tree.



Indian Blue http://indianblue.org

Indian Blue is a talented fusion band founded by Shiraz Ali Khan on sarod, with a phenomenal family tradition in Indian classical music as great grandson of legendary Acharya Baba Allauddin Khan, grandson of late Ustad Ali Akbar Khan, and son of late Dhyanesh Khan. He began experimenting with other sounds as well, and founded the fusion band, Indian Blue, in 2002. He is accompanied by Dishari Chakraborty (santoor), Arindam Bhattacharya (Indian vocals), Debjeet Ghosh (English vocals), Santanu Borah (rhythm guitar), Ronodeep Bose (lead guitar), Avijit Sarkar (drums), Ranjan De (tabla) and Shovon Mukherjee (bass). The haunting sound of the sarod coupled with Indian vocals and Western instruments makes for a marked contrast as well as smooth blend.




Parvaaz www.parvaazmusic.com

Parvaaz was founded in 2010 by Khalid Ahmed (vocals, acoustic guitar) and Kashif Iqbal (electric guitar) from Kashmir, and is based in Bangalore. They are accompanied by Sachin Banandur (drums) and Fidel D’souza (bass), and have performed their blend of blues and rock along with lyrics in Hindi, Urdu and Kashmiri in festivals across India. The youthful band’s debut CD, Baran, is named after the Persian word for rain, and is a soul-searching album about seeking truth in an increasingly materialistic and greedy world. In a sign of the times, the album was entirely crowdfunded with the help of 96 contributors. Their set in Bangalore was their last one of the year, and climaxed with the superbly-textured tracks Colour White and Roz Roz featuring Khalid’s soaring vocals and a superb bass solo by Fidel.

Other Indian blues bands that have performed at B-Flat include Hoodoo Gas, whose lineup has included Ananth Menon (lead guitar and vocals), Snehal Pinto (bass), Deepak Raghu (drums) and Vasudev Prabhu (harmonica). Mumbai-based Kabir Café also played to a full-house, with a blend of folk, rock and the philosophy of mystic poet and saint Kabir. The band is founded by Neeraj Arya (vocals, guitar), Raman Iyer (mandolin), Mukund Ramaswamy (violin) and Viren Solanki (drums).



Folk-rock was also showcased in B-Flat by the band Lagori, named after a popular South Indian street game based on striking a pile of seven stones. Their urban sound combines Indian classical melodies with rock music. The lineup includes Tejas Shankar (vocals), Geeth Vaz (guitar), Edward Rasquinha (guitar), Shalini Mohan (bass) and Vinyl Kumar (drums).

B-Flat’s programming on Wednesdays has featured DJ Unnayanaa (Prashanth Pallemoni) who blends Afro, funk, soul, electronic and experimental sounds. We look forward to another terrific lineup of bands at B-Flat and other Bangalore venues in 2015 already!

Written by Madanmohan Rao
Editor & DJ, World Music and Jazz; Bangalore
Global Correspondent for Jazzuality.com





After three successful edition, 100.4 FM KLCBS off-air program JAZZ NOT JAZZ bagged another success in year 2014. This event is a KLCBS Jazz Alliance Community Gathering that stands as an amicable meeting of jazz people – from jazz listeners (from beginners to enthusiasts), collectors, experts, musicians, journalists, and everyone who have interest in jazz.

The combination between the music appreciation side, the market’s response, the blends between careful selection of musicians and music pieces will result into unique presentation in every edition of Jazz Not Jazz. Furthermore, the Marketing Director of KLCBS Khirzan N Noe’man has stated earlier that in more than 2 hours all the attendances would enjoy the presentation and collaboration altogether, including Meet and Greet.

KLCBS, BNI and the venue Prama Grand Preanger presented The 4th Jazz Not Jazz with high quality entertainment by presenting mouth-watering batch of all-star cast who have been placing their feet in between jazz and rock for many, many years. The band is Donny Suhendra Band, consists of Donny Suhendra (guitar), Budhy Haryono (drums), Krishna Balagita (keyboard) and Adi Darmawan (bass).


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Donny is a guitar hero who plays just about everything. He’s capable to play all kinds of music. Other than maintaining his own band, he’s one of the pillars of ESQI:EF aka Syaharani and the QueenFireWorks. Let’s not forget that he’s one of the Krakatau and JavaJazz. Not only he is a great guitarist, he is a superb teacher and mentor too. There are so many successful guitarists today who actually learnt from him. Then, Budhy Haryono. This is a versatile senior drummer who was involved in so many famous jazz and rock bands like Jamrock/Jamrud, GIGI, Krakatau and Karimata. Krishna Balagita is widely known as the keyboardist of ADA Band, but this man is actually not far from jazz. He even had the opportunity to learn from Jack Lesmana. He just celebrated his ‘comeback’ to jazz by releasing his solo album “Sacred Geometry” earlier this year and a shot at the Java Jazz Festival 2014. As for the eccentric bassist Adi Darmawan, he’s one of the LIGRO madmen. He plays bass like none other. Not only using his fingers or thumb, he often utilized other materials such as nail, woodenblock, iron plate, spatula, hammer and so on in his act. Other than that, he often hum in high pitch to give some haunting sound of world music.

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While Donny has played together with Adi many times, it was great to see the ‘reunion’ between Budhy and Donny. During the early stage of Donny’s career, it was Budhy who often accompanied him. “We even built Krakatau together.” said Donny. But then they went on separate way. Donny was clearly happy for having Budhy again on his side. “You know, Budhy is a true fusion drummer.” he said.

This quartet got full reinforcement by more artits. The soulful powerhouse diva Dira Sugandi and one of the Salamander Voices (also the background singer of Tulus) Lia Amalia were in charge of vocals. Trumpeter Brury Effendy of Salamander Big Band and the jazz Paganini from Bandung, one of the 4Peniti: Ammy Kurniawan got important roles too. Mouth-watering lineup that for us could stand as a fine representative of Jazz Fusion at its best.

The whole lineup is also perfect to bring the theme of “Absolutely Sensational Fusion” which was set from the beginning by KLCBS.

The venue Prama Grand Preanger is one of the most famous historical buildings. It was once a grocery store but in 1897 it became a hotel, named Preanger Hotel. For over a quarter of a century thie Indische Empire style hotel stood as the symbol of pride of Dutchmen in Bandung. Then in 1929, the hotel was re-decorated by C.P. Wolff Schoemaker with former Indonesia’s first president Ir. Soekarno as his assistant. You can still find the classy art deco nuance in this 5-star hotel until now, both on the structure of the building and the interior. Serving a jazz community gathering inside a historical hotel brought such beautiful vibe which added even more values to it.

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The adventurous “Tales from Nauru” and a refreshing track taken from Donny’s first solo album, “Disini ada Kehidupan” titled “Pagimu” gave a beautiful sign that we were about to go deep into fusion. Donny then invited trumpeter Brury Effendi to play Chick Corea’s “Sea Journey”. Brury’s sharp attack was loved by the audience as he got a lot of claps. Right after Brury left the stage, Krishna took over the course with his sparkling melodies. This song kept him busy as well as showing his skill. Budhy’s cool solo drum was the highlight too on this one.




Jazz is full of improvisation. Jazz is full of innovation. It’s bursting with creative energy, respecting diversity and versatility. Jazz is played by young and old, of all creed and color. Herbie Hancock once said, “The spirit of jazz is the spirit of openness”. All of these are the spirit we keep in Braga Jazz Walk. Eventhough this is just a small, local community event, we try our best to keep it alive and based everything we do in it. We invite all kind of bands that enlive the jazz spirit. We try to push the regeneration, (re)introduce jazz to young musicians and the society, and give contribution towards the jazz development. Other than these, we also wish you bring some educational matters in variation. One of the way is to present tribute to legends. We hadn’t done it yet, but in Braga Jazz Walk #06 edition finally a well-established jazz band agreed to step on the plate.

The tribute was given to a legendary Jazz-funk master who passed away a few months ago in September, Mr Joe Sample. Aside from his illustrious solo career, he had a band who achieved a legendary status as well: The Crusaders (formerly known as The Jazz Crusaders).  And the band tributing Mr Sample and his group at this event was Chakraborty.


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Before we get down to it, The Braga Jazz Walk #06 as usual featured two more performances. The show started a couple of minutes after seven with Nouveau. Nouveau comes from Telkom University Bandung and established from a collaborative project of several bands, They have to go changes especially on the lineup too many times until they had to drop the word ‘Project’ and use only Nouveau as the name.

Nouveau are Fachmi Satriyo Yogaswara (vocal), Camelia Yunitasari (vocal), Wiim Bahar Maulana (guitar), David Winalda (guitar), Mohamad Naufal Ihsan (bass) and Wira Majid (drums). More about the past members, eventhough they have quit the band, interestingly they still support the band, either as the additional players or crews. They have visited our events many times, only now we could put them in one of the three spotlights.


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The groove started early with favorite songs among youngsters, “Kamu”. The Pharrell Williams’ “Happy” kept the cheerful mood. The vocalists did a great job in front, showing how soulful they are and how high they could climb. The third song was Dian PP and Deddy Dhukun’s “Masih Ada” in a happy disco beat. The disco beat continued on with “Treasure”, one of the recently happening hits of Bruno Mars and brought to the very end with Clean Bandit’s “Rather Be”.

This considerably new band is clearly rooted in pop Jazz with delicate Soul and RnB being glued into their concept, plus infectious disco beat. They don’t want to make anything too complex. They light it light but tasty. That should be able to reach the music listeners as wide as possible. One of the evidence was found in this event. They managed to drag good number of people too to watch them. We’re just happy to find more and more jazz-oriented band especially good ones like Nouevau.


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If you’re following the Rising Star Indonesia 2014, you should have seen this next performer’s face. He’s getting more and more fans, which is good because he’s been doing it for quite some times now. He has even started playing piano since he was still 5 years old, probably has been singing ever since too. This talented young man’s name is Andre Arizky.



Last Saturday, on December 6th, 2014, Bandung got so many music gigs for you to choose and one memorable event was held at Lapangan Parkir Selatan, Universitas Padjadjaran, Dipati Ukur. The gate was opened at 5pm and you welcomed by some friendly committee. It was pouring rain since midday, the sky was dark, and felt so cold. Yes, bad weather made it started a little bit late but it didn’t stop the crowd to slowly increase as the event continued. PASIFIC 2 was held by students from Faculty of Economics and Business (FEB) UNPAD as the first event of a series they have been doing. Next year they manage to run second event in February and main event in March.

Let’s go back and review this wondrous event before the committees surprise us with another two upcoming big events. A music event with full of youngster and eminent musicians is a strategic moment to spread the words about caring our nature more and paying attention to the environment. Students of FEB tried to prove their concern and good willing with carrying on “The Soul of Nature” as a big theme for this event and provided a booth for those who want to donate plant seeds. They aimed to inspire as many visitors as possible to care the nature and cleanness of beautiful Bandung. Therefore, duo amusing MC, Danto and Faisal, kept on reminding the audience to throw their trash into many available trash bag and better not smoking. After that, they had a go-green-community on stage to widely share about nature.


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It is a real statement to point out PASIFIC 2 as a unique among other gigs. Not only they served several impressive artists, but also they put some cultures into the program. Jaipong, a traditional dance from West Java epically opened that night and later on some bands were improvised with touch of ethnic while their on stage. You might be starving when you stood for hours watching you favorite band. Then this is second point of PASIFIC’s uniqueness where they served you with various culinary booths to fulfill your hunger in strategic area. Unlike other music festival where the food price can make you think twice to eat on spot, PASIFIC made it so affordable for you and not to mention the tastes are appetizing.


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Couple of weeks ago, PASIFIC held an audition for opening band and we got two newly remarkable which came from UNPAD, they were SSP and Blue Jays. Let’s take a look one by one. SSP stands for Suka Suka Project. The idea for this name came from their freedom in playing music. They don’t feel like stick into one particular genre and like to explore their skills, to improvise, and to experience as many genres as possible. Although SSP was formed recently, in February this year, they already participated and experienced many stages, included some of Jazzuality’s events. For PASIFIC, they made it full team along with horn section. The personnel are Jo (vocal), Ezra (keyboard), Fahmi (drum), Hiro (guitar), Rayan (bass) and the brass section consists of Widi (saxophone), Rifky (trumpet) and Djani (trombone). Too bad Ezra couldn’t participate with the team that night, so they had Arif and Diki from Salamander Big Band to join them. They hit the stage with famous bouncy song “Rather Be” belongs to Clean Bandit ft. Jess Glynne. Continued with a familiar and absolutely a very cool single written by Hiro, “Terlambat”, and then brought the cheerful mood again with Stevie Wonder’ hits, “Superstitious”.


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Carrying forward to second band, another striking band from UNPAD, Blue Jays. Yes, they are young, only recently formed; still have fun playing around many genres, and not labeling themselves with one kind of music. However, they rocked the stage with several famous tunes and closed it attractively with Daft Punk “Something about us”. Good job kiddos!


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Night greeted, more people came, and more bands were on stage. Tigapagi consists of bunch of men who jammed together since high school and when they were on college, they had maximum musical productivity at 3am. This is where it all begins. When they were up on stage and played the melody in defined style, you could felt the atmosphere was changed softly and warmed up. Rain seemed so beautiful when it was accompanied with mellow and calm tunes from this indie pop acoustic folk band with Sundanese taste. Eko Sakti Oktavianto (Guitar/Bass), Prima Dian Febrianto (Guitar), and Sigit Agung Pramudita (Guitar/Voice/Humming) who comes from Bandung are the people behind it. Together they admirably met the crowd with “Tangan Hampa Kaki Telanjang” ,”Erika”, and several more songs. You start to love them performances? Go find their freshly debut album titled ‘Roekmana’s Repertoire’ and sense the sentimental folk tunes.


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Senandung Taman who came after safely brought us back to cheery ambience with its female vocalist who also once a part of UNPAD and she said it was a proudly moment to perform in her own alma mater for the first time. Next month in 2015 is going to be first anniversary for this group, who love to perform at some of Bandung’s parks, and all they wish for is the release of their debut album. This is why they do not import their own songs into soundcloud and prefer to do it live. They playfully completed the stage act with “Senja Terbenam di Bibirmu”, “Bintang Malam”, and one mythical hits from limited progressive jazz rock album of a legendary musical group, Guruh Gypsy. Elmo Rinaldy (guitar), Dhea Febrina (lead vocal), and Hariz Lasa (guitar/vocal) absolutely stunned us with their pop acoustic play.


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Next one was the one and only Daniel Sahuleka who finally engaged his loyal fans. He is known publicly since 70’s and how wonderful it is to see many youngster that night still know and remember his songs, and also there were some older audiences we could see enjoying his performance, perhaps remembering the good old days. No wonder both “You Make My World So Colorful” and “Don’t Sleep Away the Night” are special enchantments for people feeling romantic and sentimental while singing along. Those singles have its own charm that could attract people and how obvious love filled the air with soft voice from Daniel.

His song list for PASIFIC 2 were: “If I Didn’t”, “Hey It’s Good to See You Back Again”, “The Sunflight”, “The Rain”, “I Adore You”, a romantic hits “You Make My World So Colorful”, a medley between “Must You Go Away” and wonderful “Don’t Sleep Away The Night”.  Daniel gave a wonderful surprise by also singing his evergreen minus one to bring the memory back completely. Loud cheer and applause were given to him throughout his show.

There was special occasion happened on stage. Alice, Daniel’s beloved wife, together with the committee had prepared special surprise for him because that night was his 64th birthday. Daniel was caught by surprise and thanked everyone. “This is the most beautiful birthday I’ve ever had”, he said happily.  Was it the end? No, because the audience still demanded more. He fulfilled the request by singing “Anak Kecil” as an encore.

During the interview session shortly after his performance, Daniel told us that he’s ready with a new album which is made in loving memory of his father, Simon Pieter Sahuleka. Titled “Dad’s Request”, Daniel features songs that his dad favoured the most. The songs that Daniel listened to when he grew up, the songs that means the world to him. Thanks to Daniel who gave us the previlege to listen to those songs before the album even released, we know how beautiful this album is. Those are famous songs that have been sung by so many artists throughout eras, but Daniel managed to let his heart and soul poured into it, making those songs as if his own. And yes, this album will let you feel his deepest jazz side and has the power to be a legendary album. Prepare to get the album soon at the stores near you.


Pasific 2 1st Event - Pandai Besi (3)


The last two grand bands were ready to enormously close this gig. Pandai Besi is a band within band. As Cholil from Efek Rumah Kaca is one of personnel, yes we can see the resemblance among them as they also brought up some ERK’s songs from their albums on stage. However, the distinguished arrangement and massive varieties of style becomes an incomparably aspect. Although Cholil and Irma are still not on board because they have something else to do, Pandai Besi awesomely entertained the crowd that night and added little surprise where Sigit from Tigapagi joined them on stage. The personnel are Monica Hapsari, Nastasha Abigail, and Irma Hidayana on vocals, Cholil Mahmud on vocals and guitar, Akbar Bagus Sudibyo on drums and vocals, Poppie Airil bass and vocals, Andi Hans Sabarudin on guitar, Muhammad Asranur on keyboards, and last, Agustinus Panji Mardika on trumpet. Together they beautifully sang melancholic “Desember” and made the crowd sang along “aku selalu suka sehabis hujan di bulan Desember…” What other lyrics could possibly fit the atmosphere, right? No, Pandai Besi is not Efek Rumah Kaca. Indeed, they independently stand on their feet and ready to spread their wings wider in Indonesia music industry.


Pasific 2 1st Event - Float (3)


The time already passed midnight but the crowd loyally waited for one more striking band who recently performed in another UNPAD’s gig at Jatinangor. Float gave what we waited for. They managed to play mostly all of their hits though the time was running out. “3 Hari tuk Slamanya”, “Sementara”, “Stupido Ritmo”, “Surrender”, “Tiap Senja”, and “Pulang” successfully made the audiences non stop sang along and chanted their name. Hotma Roni Simamora (vocals/guitar), Windra Benyamin (guitar), Raymond Agus Saputra (bass/backvox), David Qlintang (guitar), and Arman ‘Jenglot’ Chaniago (percussion) together surprised the people with their special arrangement where there was a touch of gendang and sounded ethnic. In addition, pay attention to their special album in order to celebrate their tenth anniversary.

At last, it is proved, rainy season in December do not stop the youngster to come to PASIFIC 2, not to mention some of older audiences also participated perhaps to see Daniel Sahuleka performance or just trying to catch up with latest Indonesian musicians. Indeed, it was a remarkable night in Bandung where once again people were spoiled by some great music performances. Not to mention that Daniel Sahuleka praised their lighting set. Besides, the sound was clear, the stage set was good, and the hallway of culinary night was properly arranged. Surely they prepared the best for the visitors. This doesn’t stop here fellas. Remember that committee from FEB UNPAD still get you another two grand gigs to enjoy. Kindly mark you calendar in February and March 2015 and wait what else magic they prepare to surprise us. See ya!

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Reporter: Mellysa Anastasya
Photographer: Titus Firmanto





When saxophone was invented in mid 1800, one could have never imagined how important it would become. While saxophone is being used in many genres, it’s seen by many as one of main instruments of jazz. Either it’s fusion, experimental, or even the sexy, seducing, soulful, and relaxing smooth jazz, saxophone undoubtedly plays a very important role in jazz throughout history.

Indonesia is blessed by having so many great saxophonists over the years. From the late Maryono to Embong Rahardjo, from Didiek SSS to Dony Koeswinarno and Donna Koeswinarso to Devian, all the way to the younger generation like Damez Nababan, Dennis Junio, and others. Now here’s a very talented saxophonist with complete skill that you have to know, especially if you love jazz. He can seduce you, he can force you to groove. He can be romantic, he can go funky. His name is RICAD HUTAPEA.


ricad hutapea, jazzuality


Ricad Hutapea, who plays saxophone in tenor and soprano tunes, adds the long list of greatly newcomer musicians in Indonesia. Music plays important role in his life as he joined a choir when he was little, then started to learn piano and keyboard, until he found his heart on saxophone. Ricad knew for sure he has interest in music since young age, therefore he went to Institut Kesenian Jakarta (IKJ) to learn deeper about art and music with Irianto Suwondo as his supervisor, and he finally lives his passion.

Ricad had a long way in learning classical music but at one point he realized he fell in love with jazz and beyond music instead. Arief Setiadi, Yoseph Sitompul, and F. A. Talafaral are three important people who taught melodious jazz lessons to Ricad. Through his achievement in jazz and beyond music, he could point out his talent up to many big and prestigious stages in jazzy area such as Java Jazz Festival, Jazz Goes to Campus, Serambi Jazz, Jazz Gunung, Indonesian Jass Festival, JakJazz, Jazz Buzz Salihara. Not only it gave him chances to meet and play together with several top jazz musicians as Indra Lesmana and Tohpati, also he happened to join the youngster through a great Indonesian group music, Art of Tree.

It is not enough only talk about Ricad Hutapea music career, lean your ears on some other musician’s albums to get what Ricad’s play really is. Take a look on their albums: Tohpati, Indro Hardjodikoro, Yoseph Sitompul, Jenny de Fretes, Monita Tahalea (not to mention that Ricad is a personnel of Monita Tahalea and the Nightingales), and DJ Andezzz with whom he produced two singles.


ricad hutapea, jazzuality


Located at Black Cat, South Jakarta, Ricad Hutapea held an event in order to celebrate his album releasement which is titled ‘Jalan Pertama’. This event also became his first show ever together at once made his debut album publicly available. While Ricad was accompanied with a person as Master of Ceremony, that night Rick K, Asti Ashadan, and Richard Christian also appeared on stage as his additional singers.

Simplicity highlights the beauty at its best. It could referred to the stage set and lighting of Ricad’s gig where these helped all eyes focusing on his performance only and made it so special. Testimonial video from Indra Lesmana about Jalan Pertama as his kind of support toward Ricad’s music career opened the show and suddenly followed by melody from “My Song”’. He looked a bit tense at first but he managed to nail it nicely. Right after greeted his beloved guests at Black Cat, Ricad continued his show with “Suddenly”. He must be really enjoy his song that the crowd began dancing along with his music.

Now, let’s dig a little deeper of his debut album. Moment becomes important thing in ones life and most of the time we cannot get it twice. ‘Jalan Pertama’ as a debut album, which is also being one of title song, is one of many necessary moments for Ricad Hutapea. After Ricad had finished his study in IKJ at 2013, his mind was focusing to what he should do with music as his passion. There were lots of possibilities he could choose at that time with all the good and bad on it. Whether he should choose to be an instructor and play music at cafe or restaurant to pay the bills, or he could be a musician who explores jazz and beyond, play high-level and complex music, and produce new kind of arrangement.


ricad hutapea, jazzuality


2014 has become a long-great year for Ricad where he finally let other people know about his works and music through his first album, Jalan Pertama. As it is mentioned above, Ricad has known music since early age and he loves music as long as he can remember, but probably we can say that ‘Jalan Pertama’ is his first stone to step his own music journey. The album contains 10 songs mostly instrumental (except the standard from George and Ira Gershwin, “Someone To Watch Over Me” which is sung by Monita Tahalea). This album is pretty much talk about his life, as a musician (“Struggle”, “Jalan Pertama”, “Suddenly” and “My Song”) and as a person who experience good and bad times, love and loss (“Song for Nando”, “VeFe”, “Hear Me Cry”, “Move On” and “Best Friend”). If you’re into Smooth Jazz, you will totally be in love with Ricad Hutapea’s debut “Jalan Pertama”. In this album he’s supported by his friends such as Yoseph Sitompul (piano), Julian Abraham Marantika (piano), Jessi Mates (drums), and his childhood friend OdiPurba (bass). Mixing and mastering was done by Indra Lesmana at his InLine Music.

Back to the album launching concert, the next song Ricad played is “Jalan Pertama” which followed by joyful clapped from the audience that night. This song is a very special one therefore Ricad made it as title for his album. Then, he went on playing “Struggle” and ” Here My Cry” with his saxophone where it instantly calmed the crowd because they were touched and felt the deep of its tunes.

Next, “VeFe” was brought up on stage and made some of the crowd cheering because they knew the story behind that song. There was one time when Ricad told the story of one his song because it was specially composed for remembering his brother, Fernando, who died in 2005. The song clearly describes Ricad’s feeling about the loss and how he missed his brother so much. His guests nicely accepted his gentle side and praised him with big applause, while some of them gave standing applause. First session was ended by “Move On” which brought back the happiness among the crowd.

ricad hutapea, jazzuality


Second session started as Ricad asked Yance Manusama as senior musician to get up on stage and perform, along with two singers, Rick K and Asti Asha. Together they covered a song called “As”, “Crazy”, and “Never too Much”. Not long after that, Ricad once again asked one senior musician to come on stage with him. This time he got Tohpati, his number one favourite guitarist, to accompany him playing “Beautiful Day”, a song from Tohpati’s album. Although they had minimal concept where they have no band, only saxophone and guitar, they still rock the night. Since Tohpati is Ricad’s idol, he must felt really proud of himself to be able playing together with this guitar hero.

Once again, a collaboration with Yance Manusama, Rick K, Asti Asha, and Richard Christian became an epic closing for the show. They played Stevie Wonder hits, “Superstition”. This last performance ended all sessions of Ricad Hutapea’s release party and after all it was a big success. “This is my first big moment in life”, said Ricad proudly. May this first step will lead him to success. Jessie Mates (Drum), Fanny Kuncoro (keyboard), and Otje Stefanus(Bass)  gave their best in making this debut album launching run smoothly. Their supports are very important too in establishing Ricad Hutapea as one of the top saxophonist in Indonesia, and hopefully  in the world. The best wish goes to Ricad Hutapea music career and a strong commitment in order to bring Indonesian music to the next level will lead you to the brightest future.

Photos and coverage are provided by Benny Hutapea