Friday, October 31, 2014
Jazz News




“This album is all about my self-journey and based from what I’ve seen and experienced, the music that I’ve been into in my career, both in concept and the music style. In short, you will know who I am and the kind of music that I like by listening to it.”

That’s what Indro Hardjodikoro said to us about his new solo album entitled “Cerita Baru” (“New Story”). This album was launched last Monday (June 16, 2014) at his regular event @Jazz Spot. This album is the continuation to the first one “Feels Free”, released in 2010. This newly launched album simply plays a sequel, the next chapter of Indro’s life story, 4 years later.

No one would argue that Indro Hardjodikoro is one of the most important figures in the development of jazz in Indonesia in the last 2 decades. He has inspired many musicians either as an active player or a teacher – many upcoming young bassists started out as Indro’s pupil. As a player, he’s been active since the late 80’s by being involved in many groups and recordings. He was in the famous fusion band in the 90’s, Halmahera before he got in the first formation of Riza Arshad‘s simakDialog besides other muti-genres projects and recordings. Indro in the old days was, and still is, a high-demanded sessionist due to his versatility and distinctive playing. But he’s been concentrating in making his own works for several years for good reasons. He want to craft some of his original pieces that can be enjoyed by music listeners longer than his life, and of course he wishes to develop Indonesian music industry. “That’s what I always keep in mind whenever I do something.”



One day in 2007 while he played in a concert, he found enlightenment. During the play with an orchestra he suddenly thought, “I won’t go anywhere if I don’t make my own work, something that represent myself and lasts longer than my age.” From that point on, he worked on his first-ever solo album that finally released in 2010 which established the new day of his life as a soloist.

He was great back then, but he seemed to get much more energy after taking this important move. Soon after he established his group named Indro Harjodikoro & the Fingers. This unique group places bass in a totally different way. In this group he pushes his instrument, bass at the front, that said without diminishing the role of other players. Starting with four basses, now the band is satisfied with 2 bassists, Indro himself and his former student, Fajar Adi Nugroho.

One album entitled “Traveling” received success in the market, and they have gained popularity not only in Indonesia but stretched much further to Russia. Recently the band got a new drummer, an 18 year-old prodigy Yandi Andaputra. The second album of Indro Hardjodikoro & the Fingers is currently in mastering process, you can expect it to be released soon.




In 2011 a young guitarist originally from Bekasi, West Java but then lives in Bandung released an album titled Tesla Manaf feat Mahagotra Ganesha. He made and distributed it totally independently without having any labels to support and without anyone sponsored him. Think of it. How many of us dare to keep going in that condition? But hey, it’s Tesla, a real die-hard fighter type of person. If he’s a boxer, he’d keep on standing back after being knocked several times, until all the blood being drained from his body, and until his brain stops working, until his very last breath. It wasn’t his first album, but proofed to be the most successful one to date. The fact is, this album is phenomenal, both in quality and acceptance. This album which is titled “It’s All Yours” established him as one of the most brilliant (jazz) guitarists in Indonesia that everyone should seriously keep their eyes on.

Perhaps it’s important to see a brief biorgraphy of him first. The little Tesla showed his interest in music since he was still at the 5th grade of elementary school. It wasn’t guitar but classical piano. He switched to guitar, still classical at the junior high school. He got many achievements as a classical player, but later he found some obstacles, especially since the patterns and rules of classical made him unable to have freedom in doing his work. In Bandung he finally found his ultimate peace in jazz, the music that’s actually already familiar to him. It was his father who made him familiar with wide variety of genres, fusion from Gentle Giant, Mahavisnu Orchestra, Soft Machine, ELP (Emerson Lake & Palmer) and Pat Metheny, from Brad Mehldau, Dream Theatre, Nirvana, Slipnot to Hans Zimmer, Debussy, Bella Bartok and Krzystof Penderecki. These later names have given him inspirations especially in terms of composing something with odd melodies.

He made some albums like Grace & Tesla (with Grace Sahertian) and Ivan & Tesla (with Ivan ‘AJ TheReal’). Another album was in the making but failed to meet the market with G/E/T (with Galang Perdhana Dalimunthe an Edward Manurung). Then he ended up with this album which became a breakthrough in his career.



It’s actually not a surprise and definitely not about luck. In this album he utilized everything he has inside. His passion, feeling, ability, brain, taste and skill to create a masterpiece. It’s unique, grand, magical and mystical. If you listen throughout the tracks which speaks about the relationship between human and nature, the disaster that could happen by human’s unfairness in treating all beautiful things God has given us. Having this as the elementary idea, he developed it into a long duration song divided into 6 parts. Just like watching a movie, the storyline has a beginning, conflict, climax and closing. It’s intense, full of drama and connected. If you want to understand the whole idea, you should listen to it in order from the first track to the end without any break. Along with some of his closest fellow musicians he opened up a connection with Mahagotra Ganesha, an art unit of ITB (Bandung Institute of Technology), and the rest is history.

The combination of modern, Western instruments and traditional, Eastern (in this case Balinese) instruments (gangsa, ceng ceng, kantil, jublag-Balinese gamelan, gong, kemplug) can be found in it. all has their own role, sharing each room in balanced portion. You can clearly hear the progressive jazz, but at the same time you will get the pure, mystical Balinese music. Not to mention the special segment where Jauk Keras (the Red-face Masked dancer) appear and walks around the audiences.  Calling this ensemble as Tesla Manaf feat Mahagotra Ganesha, they all open up a new musical world as well as proving how jazz could blended perfectly with just about any kind of music, including the traditional Balinese music and using it to send an important, positive message to everyone. (Read our review on the album here:





Herbie Hancock says: “Jazz has been the voice of freedom for so many countries over the past half century, so what the world needs is a little jazz diplomacy.”

Meanwhile the UNESCO Director-General Irina Bokova says “Jazz has been a force for positive social transformation throughout its history, and it remains so today. This is why UNESCO created International Jazz Day,”

Yes, we do love jazz. We get entertained with it. Some of us play it, but don’t forget that jazz can function much, much more than just that. It can be used as an educational tool as well as a force for peace, unity and dialogue, and to enhance cooperation among people/nation. All will embrace the opportunity to foster greater appreciation not only for the music but also for the contribution as it can make to build more inclusive societies.

The spirit of jazz is the spirit of openness. The spirit of jazz is the spirit of friendship and mutual respect. The spirit of jazz is the spirit of sharing, appreciating and giving. The more people love music, the more peaceful and happy the world is. Jazz can be a great tool to promote peace and unity among people and nations. If you’re a jazz musician you can spread the message through your music. If you’re a jazz lovers, you can share love to others. Jazz people should be able to become an example or miniature of a peaceful and full-loving world. That’s what God wants, that’s what we need. Think of it. If you dream to have such world, you should start doing something real.

From our desk, we wish you Happy International Jazz Day, jazzy peeps! Let’s swing the world with love, peace and harmony! 

Written by: Riandy Kurniawan




Since 2012, the world has been celebrating a special day for jazz lovers called International Jazz Day. Herbie Hancock as the UNESCO Goodwill Ambassador and the Director-General of UNESCO Irina Bokova proclaimed April 30th as the date and set it to raise awareness in the international community of the virtues of jazz as an educational tool as well as a force for peace, unity, and dialogue. Jazz musicians and enthusiasts around the world celebrate it in their own ways. Just as we are getting closer to that day we received a very good news that should make us all proud. The little boy piano prodigy by the name of Joey Alexander is invited to participate in the annual benefit Gala Dinner of Jazz at Lincoln Center on May 1, 2014.

If playing at this jazzy corner of the historical complex of buildings in the Lincoln Square neighborhood of Manhattan in New York City is already highly prestigious, Joey is going to get even more honor, because there he will perform with the living legend Wynton Marsalis and the great, great Jazz at Lincoln Center Orchestra (JLCO). The concert is titled “LOVE, LOSS AND LAUGHER: THE STORY OF JAZZ”, set to be held at the Frederick P. Rose Hall, “The House of Swing”. Standing at the host is none other than famous movie star/comedian/MC, Billy Crystal. Joey is native Indonesian, and he’s still 10 years old. What a beautiful way for us Indonesian to celebrate this year’s International Jazz Day. And for your information, Joey is the only foreign musician that has an honour to play at this legendary concert. Way to go, Joey!



In conjunction with Joey’s upcoming performance “Love, Loss and Laughter: The Story of Jazz with Wynton Marsalis and Jazz at Lincoln Orchestra, a press conference was held on Tuesday, April 22, 2014 located at iCanStudioLive, Kebayoran Baru, Jakarta. Joey was there to explain everything about his involvement in this concert. It was a bit rainy out there and the press conference started later than on schedule. But joey warmth us with his magical hands on solo piano performance.

Then MC officially opened this press conference by greeting us and let Lucy Willar as the host of iCanStudioLive to give a little explanation about this wonderful kid and how he become one of featured artist at that concert. Denny Sakrie were also there to give his opinion about Joey from the expert view. He told us that Joey has a common thing with Indra Lesmana. They got their beautiful talent since they were toddlers. Denny believes that Joey will bring a great impact to Indonesian music industry. Lucy Willar called him as a ‘black diamond’ while Denny Sakrie mentioned that medias have called him as ‘Harry Potter of Jazz’. As you know, Joey always wear glasses that make him look exactly like Harry Potter, of course also the wizardous jazz piano playing. That’s the way we love to call him since the first time we spotted him in 2011 (

With the innocence of a child, Joey gave us a little explanation about how he started all of these until he could receive so many achievements internationally. It went really well and intimately. The attending medias congratulated him and asked him about how he prepared himself for this concert. We asked him will this concert affect him, he said that this is going to be one of his life’s legendary moments. He’s really excited and he is also ready to play there.

By now you should already be familiar with this wonder-kid. Imagine where you were and what you were doing at the age of 10, Joey has done things that not even adults or seniors can achieve.



Here’s a little profile of him. Joey was born in Denpasar, Bali on June 25, 2003. His parents bought him a mini keyboard when he was 6 years old. They got caught by surprise when noticing little Joey was already able to play the melody line of Thelonious Monk’s classic, “Well You Needn’t” out of nowhere. His parents directly gave him piano lesson. This little boy chewed everything up in no time. In just a year or so, he could already play difficult jazz renditions, mastering the improvisation with perfect skill that enabled him to play alongside big names in spontaneous jam sessions. For him, jazz is really great. You can play it spontaneously, with a coll improvisation. Jazz also gives him a freedom at playing and also, swing… That’s why he prefer jazz rather than other genres, such as modern or classic.

We met him for the first time at Indra Lesmana’s RW Jazz Lounge: The Christmas edition 2 years ago. At that time when he was still 8 years old he already stunned everyone by executing “My Favorite Things” and “Santa Claus is Coming to Town” flawlessly, just like a pro. At the age of 9 he already played alongside jazz giants and legends. He was invited by UNESCO in December 2011 to play solo piano in front of the jazz living legend Herbie Hancock during his visit to Inodnesia as a goodwill ambassador of UNESCO. He has graced many international festivals such as the Java Jazz Festival, JakJazz, Jazz Goes to Campus, World Youth Jazz Festival in Kuala Lumpur Malaysia and gained spot at television. After winning the Grand Prix award of the first International Jazz Improvisation contest, Master-Jam Fest in Odessa, Ukraine last year by topping hundreds of other contestants (it was awarded not only for professionalism and talent, but also for whose performance became a phenomenon of jazz life), this year he’s in the news again by being featured in The Good News with the Ellen Degeneres Show.

In the invitation letter, Jason Olaine, the Director of Programming and Touring Jazz at Lincoln Center said this: “In my capacity as Director of programming and Touring for Jazz at Lincoln Center, I have the pleasure of inviting Mr. Joey Alexander to New York to participate in our annual benefit Gala with Wynton Marsalis and the Jazz at Lincoln Center Orchestra, May 1, 2014. As a rising star on piano, we recognize his artistry and musicianship and would be honored to present him to our American audiences in New York City.”

If you ask us, Joey really deserves it. You will know it once you listen to his play or watch. We have seen him pinning complex compositions from Miles Davis, John Coltrane, Wayne Shorter and Chick Corea just like a long time experienced pro. The last time we heard his piano playing was in a track “Glory Glory” with Benny Likumahuwa Jazz Connection in the new CD “Rekam Jejak Vol. 1″. In this track if you don’t see who plays, you will never dare to take a guess that it all came from a little boy. He plays maturely with high skill, really good at controlling and fully understand his role when playing with other cats. His improvisations are flawless and always appear in the right moment. Normally something like this only come from players who have been doing it for many decades, yet Joey is indeed one of a kind. He’s cute, sometimes shy, just like any other kids, but once he’s placed behind the piano, it’s all a different story.


Rio-Sidik -Sound-of-the-Mystical-Vibe


Although trumpet has existed long before jazz was born, trumpet has a significant role in this music. The trumpet has been using as the lead instrument since the birth of jazz in New Orleans. The character of trumpet which is loud and cutting can always allows the melody to be heard regardless what the other instruments are doing. Trumpet can carry the melody, can be seducing, can be provocative and of course able to run manic improvisations. From time to time Indonesia’s blessed by having great trumpeters. One of the leading ones is Rio Sidik.

Born and raised in Surabaya, the capital of East Java and build his carrer in the Land of Gods Bali, Rio has been active in the music scene over the years with many shiny achievements. The most recent one was when he collaborated with trumpeter Maurice Brown and the fab Incognito at the Bali Live International Jazz Festival 2014. What’s next? Well, Rio decides to move fast. Along with his group the Rio Sidik Quintet, he’s set to release his second album titled “Sound of the Mystical Vibe”.



Rio Sidik who also stands as the producer for the album decides to make it in different way. “This album is going to be made as Audio & Video Recording, because I want the fans to capture the energy when we perform live on stage. CD is good but it can’t hold the visual aspects.” said Rio during his live recording session at Ican Studio Live, Jakarta on Tuesday Night (April 1, 2014).

In this album, Rio Sidik leads on trumpet and vocal. Joining him are Ito Kurdhi (bass), Eman (keyboard/piano), Jeko Fauzy (gitar), Eddy Siswanto (drums). The album contains 10 songs, mostly written by Rio himself. I wrote some songs during my trip to Europe. That’s why there are some songs with the title of “Autumn in Moscow” and “Barceloneta” among them.” he said.



If you still don’t know much about this experienced trumpeter, let’s see a brief biography of him. Said to have music as a part of his life even since he was still in her mom’s belly, Rio seems to get it from his grandfather, also a trumpeter, Daryono, a big band leader. Not only the talent, but Daryono is the one who inducted him into music, built him to be an excellent trumpeter as well as strict education, strong work ethic and commitment. Other than his grandfather, his grandmother was a singer too that then continued by his mom and aunt.

This elder brother of soap opera actor, Dian Sidik has already played trumpet since he was still 8 years old. He started gracing the stage since 11-12 years old. “So I’m the third generation (in music),” he said while stating that he’s been playing all over places as early as 14 years of age.

His name rose after Indra Lesmana brought him inside the Reborn group/project in the first year of the third millenium. He frequently appeared with the late legend Bubi Chen, Erwin Gutawa Orchestra and with his music partner, keyboardist Erik Sondhy among others.

Speaking of live performance, he’s done it all. He has been touring to South Africa twice, frequently visits Malaysia at least twice a year, Singapore, Australia, Portugal, Spain, Netherland and Russia, just to mention a few. With his world music fusion band Saharadja he has participated in the first Java Jazz Festival in 2005 among many other prestigious spots.



In this live recording session, Rio Sidik got a surprise. Right after he sang “Tak Bisa Mendua”, a beautiful lady who belongs to a girlband Princess suddenly approached him on stage and handed him a bouquet of red roses. “Rio’s performance is awe-inspiring. I always love his songs. I wish to collaborate with him someday,” she revealed after the session.

Jazz means Freedom

Now let’s go more specifically to Rio Sidik and his jazzy side. According to him, jazz is not something he planned, but it’s more like something that flows naturally. “I play all kind of musics. About jazz… I just like it. Jazz means freedom. But I don’t want to be labelled as a jazz musician, because I’m willing to play the other genres too, as long as it is good.” he explained.

It can be clearly seen by the song choice he put up on the Sound of the Mystical Vibe where you can find variety of musical colors inside. “This one is more into soft jazz, more easy listening. Some has jazz standards pattern, but there are some pops too. (The album is) rich in variety, just like the process of life”, he said while smiling.

Speaking of his quintet, we enjoyed the performance at the Java Jazz Festival 2012. Being inspired by all time great trumpeter such as Miles Davis, Freddy Hubbard, Arturo Sandoval and Dizzy Gillespie, possessing a special gift in music and wide arrays of experiences shape him to be an acclaimed musician. Some says he’s playing a world class jazz fusion, but he often covers much wider musical terrains. He mixes his virtuoso trumpet solo with cool smooth, soulful singing style. He’s a charismatic band leader yet he’s easy going and joyful on stage which often brings happy mood to his audience. He’s capable in writing and composing too. All of these are the quality found inside Rio Sidik which should be able to bring him as one of the top world musicians particularly in jazz.



Along with the release of Rio Sidik’s second album “Sound of the Mystical Vibe”, he wishes to add more colors into the Indonesia’s music market and also the international scene in general. “May this album bring happiness to the music lovers and make more people listen to my music”. 10 songs found in the album are Too Much to Forget, Whisper from God, Kesari, Autumn in Moscow, Tak Bisa Mendua, Andai, On My Scooter, Hope and, Love, Make Somebody Happy.

We congratulate Rio Sidik for this new album and wish him the best. If you live or visit Bali, check out his gig schedule in his page and Twitter You can listen to some of his songs at Soundcloud and Myspace Get ready to grab his newest album released in both audio and video format, and experience the mystical vibe with your ears, eyes and senses.

See more pictures:

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Written by: Riandy Kurniawan
Source (texts and photos) are provided by Syahnoer




In 2010 ESQI:EF made a big breakthough with a very successful album, “Anytime”. This follows the first one made 3 years earlier which created a solid start entitled “Buat Kamu”. We called Anytime a breakthrough because it got good result in cross-genre Indonesian independent music scene right from the first time it was launched. Some songs became big radio hit such as the disco beat “Sayang Sayang Sayang”, the power pop “Kekasih Palsu” and the candy sweet bossa, “Anytime”. Well, these songs were released 4 years ago. Many of their fans would wonder what’s next, where they would release the new album and most importantly, what concept would they bring. We have heard about the making process of this album since at least 2 years ago. We have even heard one song, “Morning Coffee”, sung by Syaharani herself on the stage of Jakarta Blues Festival 2010. But the album didn’t exist… until now. If you’re their fan, you should be excited because ESQI:EF a.k.a Syaharani and the Queenfireworks has finally released the third album by the title of “Selalu Ada Cinta” (In English: “There’s Always Love”) via DeMajors.


The first launching was held last Saturday, March 9, 2014 at Driving Range, Senayan Jakarta early in the morning, around 9:00 am. If you wonder why, ESQI:EF thought it would be perfect to launch the album where the single “Morning Coffee” existed at the morning coffee hour. Because of that, the scene we got was different than others, because before the ceremonial show took place we saw everyone enjoying coffees on their tables. You can imagine the scene.

Then the complete team of ESQI:EF came in. Surprisingly, they didn’t talk about the album first, instead they served an early morning live performance. Syaharani (vocals), Didit Saad, Donny Suhendra (guitar), Fajar Trias, Andy Gomez (keys), Sirhan Bahasuan (drums) and Kristian Dharma (bass) were all there looking happy like a happy family.


The first few songs surely set brighter mood for everyone. Then Syaharani led everyone to sit in front, explaining about the third and new album, “Selalu Ada Cinta”. In this morning talk, Syaharani explained that Donny Suhendra contributes big deal in this album as something like music supervisor. Meaning that he has to make sure that everything fit in place. So Syaharani writes, Didit works in the studio, and then the final word would come from Donny, the most senior and experienced figure in the team.

ESQI:EF actually is a brainchild of three musicians with quite different backgrounds. Syaharani is known as an iconic jazz diva, Didit Saad is an important figure in independent music scene, at since geng Potlot. Then there’s an all rounder guitarist, great in blues, rock and fusion besides the other music styles, Donny Suhendra. With the various background of these three figures, plus the rest of the players which bring many other influences, you can take a guess why ESQI:EF never stays in one particular genre. Hence, their music is rich and colorful in style.

According to Syaharani, what makes the ESQI:EF concept rich is that they all don’t stay under just one band. Each of them play in many projects or listed in different bands with different flavors. This fact gives the band plenty of variation to choose. Such evidence can be found in any of their album. Whether it’s Light Jazzy, Power Pop, Acoustic, Ambience, Lounge Dance, Groove, Blues, Soul, Rock, Bossa, the indie music, the sound of the 70’s and so on, that know how to present their flow of taste.


For this third album, eventhough they are still digging up wide variety of sounds, the concept is actually different. Syaharani herself explained that while they still keep the habit of highlighting something retro, this time it’s different. “We did different guitar reamping and so on, so soundwise speaking, it’s different.” explained Syarahani. Other than that, you will find cozier and calmer songs in this album and two vintage swing, scatting, except the album carrier “Morning Coffee” which lies inside the frame of rock n’ roll. Simply put, the ESQI:EF taste can still be felt, but it’s time for them to move into another zone, while still easy listening, melodical, fun and enjoyable.

Following the release of this album, ESQI:EF plans to go on tour, visiting West, Center and East Java.

Another story is coming from the title which clearly speaks about love. When we see this word, most likely our thoughts would go to romance between couple. Well, that’s not their intention at all. Listen to what Syaharani says: “This album is not about people fall in love, but it’s more about love as a blessing. As long as you have, find and feel love, no matter what your condition is, you can cope with everything.” She also said: “In the mortal world, everything will always come and go, but love will always exist.” The album is also made after a very long process. Even so, they weren’t rushing everything at all. Instead, they just let it all flow. It’s some kind of natural process of soul searching, where the hearts of the team go at present time that got translated into music. What’s also important is that every song they make is special. So in order for you to get the message and enjoy it at max, you should listen to all songs from start to finish.

After some more explanations, they performed again, carrying about three more songs including the carrier “Morning Coffee”. During this session they also presented video trip when they were in Banyuwangi for the purpose of making Morning Coffee video clip. We all could see that they were serious in exploring every side of Banyuwangi without losing the fun factor at all. They all looked happy, cheerful and took it actually as a long holiday.  The ceremonial tumpeng (a special rice dish that is usually served in Javanese traditional ceremonies or to celebrate events) cutting took place too. David Karto of DeMajors was the first one being handed by Syaharani.


Another thing that hopefully can be felt is that the group is getting more solid than ever. It’s not even a group, it’s more like happy family. So whenever they create something, you can expect good stuffs within. Listen to all the songs in the album, you will get their true heart and trueself, at the most honest way. Once again this album is made as a tribute and love to the roots of music, without taking any sides, served humbly but tasty in ESQI:EF’s cooking style.

We congratulate our dear friend(s), Syaharani and the QueenFireworks for the new album. May this album be as successful as the previous ones, or even manage to climb another height. Whether you’re one of the fans or not, as long as you’re into good music, ESQI:EF’s “Selalu Ada Cinta” will quench your thirst. Music to share, they say, we say it absolutely is, in a very lovely way.

See more pictures:

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Reporter/Photographer: Mia Damayanti
Written by: Riandy Kurniawan





Some refer to him as “one of the most innovative producers and live performers you will find anywhere.” He’s mentioned as someone “awesome and genius”, even called “A Herbie Hancock for the new millenium” by the Montreal Jazz Festival. All pointed to a free minded artist who love to stick around in the club scene while enjoying his passion, or even his true soul which clearly resonances jazz. He’s Mark de Clive-Lowe a.k.a. MdCL. Two years ago we interviewed him not long after he released his album MdCL + Sy Smith: Collection Vol 1 under Demajors (read the interview here: Now he’s back again with his upcoming 11th studio album, CHURCH.

Mark de Clive-Lowe  a half-Japanese, half-New Zealander musician, based in Los Angeles since 2008 after spending a decade in London. That seems to be a mishmash, but it plays a big part of the reason why his music is such a melting pot too. “If anything, i think the dual-heritage of my cultural background has always kept me open to different cultures and given me an ability to balance them in my own creative expression.” he said to us 2 years ago about how he takes his dual-heritage as a blessing.

As an artist he covers wide territories. He’s also a producer, composer, pianist, performer, DJ and so on. He brings jazz to fit the clubbing scene and crafts them as an interestingly beautiful new breed. The clubbers would love his music, the jazz fans would too. He builds a bridge connecting not only jazz and the electro dance/club music but also RnB, Soul, Funk, World Music and everything else in between. as well as capturing the spirit of US, UK or even Japan club scenes. He likes to bring the combination of acoustic and electronic instruments. His music lands on many sounds, styles, genres. No barrier found in Mark de Clive-Lowe’s music, the essence of his unique musical spirit can be felt all over his work.

Mark has released 10 studio albums since 1996 and numerous remixes, collaborations, shows and tours. Now he’s gearing up to independently record and release his next album.


mark de clive-lowe, mdcl, church


Perhaps you wonder why he takes Church as the album title for his most current work. Here’s what he said about it. “For the past three years I’ve had a live music event resident in LA and NYC that we named CHURCH. It’s equal parts jazz club, live remix experiment and dance party – part acoustic, part electronic; part planned, part improvised. Everytime we throw the event, people ‘get’ why it’s called CHURCH. Well, it’s not about a religious angle – it’s about uplifting the spirit and the human condition through the power of music.” said Mark. Each month he’d bring in special guests to collaborate with him and meld creative minds, from his favorite musicians, to his favorite singers and MCs, to his favorite DJs. “I’ve been fortunate to have so many of them be part of the vibe. There’s been amazing shows outside the US as well – Germany, Holland, Portugal and Australia have all hosted the event at different festivals and venues.” he added.

Playing with the likes of Eric Harland, James Genus, Nate Smith, Mark Kelley, Chris Daddy Dave, Casey Benjamin, Jean Grae, Questlove, Nia Andrews, Gaslamp Killer, Jose James and others has been an amazing experience for him, and certainly tells him that this new album CHURCH is going to be something very special for sure.



What is he going to pack inside this new album? “I’ve been wanting to capture the essence of the live shows and share that as an album with the world.”  All of his experiences from working with many amazing talents and the way he crafts his music above genres, sounds and styles will bring those all together. That’s the concept he has in mind, and now it’s that time. The album is going to feature some very special collaborators from NYC and LA, and he’s writing and arranging a whole stack of new music for the record. There will be a mix of instrumental songs and vocal guests. He’s going to be in studio for a few days recording, then there’ll be post-production before mixdown, mastering and finally having it sent off to be manufactured on CD and vinyl. He’s really excited with this. I can’t wait to get my new record done, I’d love to have you on board to support it, and be a part of the process.” he said. Well, let’s wish him all the best, may the process go smooth exactly as planned. Good luck Mark! Look forward to get into the groove with your electryfiying jazz that always come with tasty danceable, clubbing beat.

Listen to what he says on his Kickstarter :

For more info, log on to Mark de Clive-Lowe’s Kickstarter :




George Duke, Jazz-Fusion Pioneer, Dies at 67
His Potawatomi Bingo and Casino Performance is One to Be Remembered

One of the brave pioneers of the jazz-fusion movement, George Duke, died last August 5, 2013 in Los Angeles. He was 67 years old. It was in Los Angeles where he was being treated for lymphocytic leukemia. The announcement was made by his record label, Concord Records.

The jazz world will definitely miss another great artist. One of the brave pioneers of the jazz-fusion movement, George Duke, died last August 5, 2013 in Los Angeles. He was 67 years old. It was in LA where he was being treated for lymphocytic leukemia. The announcement was made by his record label, Concord Records.

“The Northern California native was one of the leading forces in bringing jazz and rock together, genres that not only were typically separate in the 1950s and early ‘60s, but whose proponents often were philosophically at odds. Duke found the common ground between the styles,” news site highlights. As the news site recalls one of his last concerts, “Duke and Stanley Clarke performed on June 21, 2012 at the Northern Lights Theatre at Potawatomi Bingo and Casino in Milwaukee. The event was a month prior to Duke’s wife, Corine passing from cancer.”

The 50’s and 60’s were the decades where the entertainment industry had various epiphanies. From the melding of jazz and rock to the cultural boom of card game bingo, all the way to the British Invasion led by The Beatles. And just like how bingo transformed from being just a social game in bingo halls to an online favorite that varies from foxybingo online communities to Bingoblitz gaming apps, George Duke was the reason why jazz is now inculcated in many of our present music genres ranging from country to EDM.

His last major concert at the Potawatomi Bingo and Casino served as a special memento, an ideal coincidence even, that made everyone realize how the 60’s was very significant to our history. Whether you’re a bingo fanatic, a Beatles follower, or a jazz lover, Duke now serves as one of the heralds that the 1960s was a decade of achievements. wrote this dedication: “It is with deep regret that we learned of the passing of our dear friend and brother, George Duke. George was a Grammy winning musician who knew no musical boundaries, whose style and talent continually redefined jazz, funk, pop and music in general. He was also one of music’s great storytellers and never missed a chance to give an inside look to his music or life to anyone who would listen.”

He was scheduled to perform at BB Kings in Times Square but in lieu to what has happened, a memorial concert will be held and donations will be forwarded to the Leukemia & Lymphoma Society. Aside from the Duke’s memorial event and another symbolic coincidence, the society will also be in Los Angeles at Viva Cantina Burbank for a Legendary Bingo night event.



Today we just received a good news that should make us all, jazz lovers, proud. Young musician from Bekasi, West Java named Carel Eldi Liawan (age 23) just received high achievement by earning placement on the Dean’s List for the spring semester of the 2013 academic year from Berklee College of Music in Boston, USA.

To be eligible for this honor, a full-time student must achieve a grade point average of 3.4 or above, while part time student must achieve a grade point average of 3.6 or above. Carel reached the grade point of 3.8, making him able to earn place on Dean’s List for this semester. This achievement was announced through an official Berklee College of Music’s press release recently.

According to Carel, it’s not easy to get a scholarship to study music in foreign countries, especially the prestigious college like Berklee College of Music. The curriculum focuses on practical career preparation for today’s music industry. Four year degrees are offered in Performance, Jazz Composition, Music Production and Engineering, Film Scoring, Music Business/Management, Composition, Music Synthesis, Contemporary Writing and Production, Music Education, Song Writing, Music Therapy and Professional Music. This college has been running for over half a century, evolving constantly to reflect the state of the art of music and the business aspect. We have seen many successful musicians throughout generations graduated from Berklee, that’s including from Indonesia. From time to time we hear successful stories from young lions from Indonesia who made tremendous achievement in Berklee. The last one was from David Manuhutu, jazz pianist who earned place on Dean’s List at the same college in 2011 (read it here:  The last ones publicly announced to receive dean’s list at Berklee was Carel and David, but there are many other Indonesians in Berklee maintain their place in Dean’s list for more than one semester until now, including Calvin Yehezkiel Limuel and  Steve Aditya.


Unlike David, Carel chooses violin as his main weapon in playing jazz. He can play remarkably well. Not only that, the oldest of three siblings from father Aydi Jaya and mother Engelina Adli also stands as multi-instrumentalist from his tender years. By having this honor, Berklee College of Music hopes him to give positive contributions to his nation. “May he keep on making achievement and give contributions to his hometown Bekasi and Indonesia. When he comes home, may he be able to do well in the Indonesian music scene.” said the spokesperson.

Carel Eldi was born in Bekasi, the growing city in West Java, Indonesia, located on the eastern border of Jakarta in 1990. After finishing his high school, he continued his study to International College of Music (ICOM) in Kuala Lumpur, Malaysia. He spent three years in Malaysia and became one of the lucky students who obtained scholarship to continue their education at Berklee College of Music, USA.

While violin isn’t really a popular instrument to use in jazz, it has shown such abililty to create different, unique and rich texture when used in jazz compositions. Not many of us know that violin has been used in jazz since many, many decades ago. It’s true that there are not so many violists turn themselves into this particular genre, but we also have to acknowledge that nowadays the number of jazz violists are getting bigger, especially in Indonesia. So it’s really good to hear that we now have a new player, especially the one who’s coming from a prestigious music college in the world with such shiny achievement. We congratulate Carel Eldi and wish him all the best. Keep making us proud, go grab more achievement and show how good you are. Soon when you’re back to Indonesia, don’t forget to bring our jazz development into a new height.

Written by: Riandy Kurniawan
Article and photos are credit to Syahnoer (





Just several days ago we informed you about the comeback concert of the legendary, ‘volcanic’ group KRAKATAU, the Kembali Satu formation ((Donny Suhendra, Dwiki Dharmawan, Gilang Ramadhan, Indra Lesmana, Pra Budidharma and Trie Utami) who recently is in increasing seismic activity by reuniting after being separated for 25 years. Yesterday we were informed that the concerts which were supposed to be held in 3 different cities (Yogyakarta, Jakarta and Surabaya) are cancelled and to be rescheduled until further notice.

It’s a sad news to hear since many of the long-time fans are already excited to see the comeback of the most famous formation of this phenomenal band. We know you all want to know what cause the tour to be posponed, so here we share the letter from promoter regarding the situation.


Apologize Note

“Herewith, we, DSS Production is apologize for the postponement of the Krakatau-Kembali Satu Concert which was scheduled to be held at Skenoo Hall Gandaria City Jakarta on June 14, 2013.

The concert will be rescheduled as a part of Krakatau “Kembali Satu” Indonesia Tour 2013. During this tour, Krakatau plans to visit some major cities in Indonesia such as Bandung, Yogyakarta, Semarang, Surabaya, Malang, Denpasar, Medan, Balikpapan/Makassar and Jakarta.

The postponement has to be made due to Krakatau’s own wish and DSS Production as the promoter, to give a concert that’s more accessible and affordable to all fans throughout Indonesia.

Along with the rescheduling, we will change the ticket price, making it more affordable, so all segments of this explosive super-fusion-band’s fans would be able to watch the reunion of Krakatau: TRIE UTAMI – INDRA LESMANA – DONNY SUHENDRA – DWIKI DHARMAWAN – PRA BUDIDHARMA – GILANG RAMADHAN after more than 20 years of taking different path.

Once again, we truly apologize to everyone for this postponement. We will announce the new schedule as soon as we’re done with it.”

Krakatau Kembali Satu Indonesia Tour 2013 promoter


We know this news may cause trouble to some of you who already bought the ticket, taking the day-off from office or even booked the hotel. But we also believe that this is a hard decision to make by the promoter. But let’s look at the bright side, may the new schedule be more accessible and affordable so you all won’t have problem to witness the comeback of these legendary formation of supergroup, and let’s also hope for more spectacular one.